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In this section we will talk about important terms about
printing world and typography.
Continuing Typography Terms
Body type The type used
in setting the main text of a book.
Calligraphy The
art of writing, based on handwriting from Roman times and embracing such
scripts as half-uncial, Carolingian, Chancery script, humanistic, and
their derivatives.The word derives from the Greek for "beautiful
writing."
Casting The traditional
method of generating type characters by using machines that, fitted with
a mold or "matrice" (mat), would cast the type characters from
hot molten metal. Type would either be cast as individual characters using
a "Monotype" machine, or as complete lines ("slugs")
using a "Linotype" machine.
Character count
The total number of characters in a piece of copy to be set.
Cold composition
A form of low-quality typesetting for camera-ready copy done on special
(or even ordinary) mechanical "golf ball" or "daisy wheel"
typewriters. Also called strike-on composition or impact printing. Cold
type Traditionally type that was supplied to
the typesetting house as individual pieces, as distinct from type cast
by a "hot metal" machine such as Monotype and Linotype machines.
Comp abb.: compose, composing, composition
The process of setting type. Composing room
The area in a printing plant specifically set aside for typesetting and
makeup.
Composition The setting of type. Compositor
The person who sets type originally individual
pieces of metal set by hand, but now by any method. An increasingly rare
breed since the computer has all but eliminated this trade. Traditionally
called a "typographer" in the U.S., which, now that the designer
has total control over typography is probably a more appropriate description.
In the days of metal type, the compositor would also make up and impose
pages. Also called a typographer or typesetter, although the latter can
also mean the machine upon which type is set. The printing head on some
impact printing devices (called "cold composition"), such as
typewriters, on which each character sits on individual "petals"
arranged around the wheel.
Dis. diss abb.: distribute
The returning of all matter used in a print job to its original owner
or source.The term originally related specifically to traditional metal
type composition, when individual letters and spaces were returned to
their correct places in the case so that they could be reused.
End-of-line decisions
The capability of an application to make decisions about word hyphenation
when justifying lines of text.
Founder's/foundry type
Metal characters used in hand-setting, as distinct from machine-set metal
type.
Golf ball A circular,
interchangeable font matrix used on mechanical typewriters.
Hand composition
The manual setting of metal type. Hot metal
(type) The general term given to type set on
a compositing machine, now largely obsolete, which casts type from molten
metal either as single characters (as per Monotype) or as complete lines
(as per Linotype).
Hot-press lettering A technique in which foil
letters are impressed upon board, using heat and pressure.
Image master A
flm-based font used in filmsetting.
Kill A largely
obsolete term used to instruct a typesetter to dismantle a job, emanating
from the tradition of dissing (distributing) metal type into their respective
cases upon completion of a job.
Linotype A type
foundry and manufacturer of typesetting equipment and digital fonts. The
original Linotype machine was the first keyboard operated composing machine
to employ the principle of a matrix, which cast hot metal type in solid
lines, or slugs. It was invented in the U.S. by the German-born engineer
Ottmar Mergenthaler and patented in I 884,The Monotype machine was invented
almost simultaneously in I 885.
Mat(rix) In traditional
typesetting, the copper mold used for casting hot metal type, the term
later being adapted to mean the negative on phototypesetting machines
from which characters are generated.
Monotype The name of a type foundry, Monotype
Corporation, which designs and supplies digital fonts. Originally Monotype
was the manufacturer of a typesetting process invented in I 885 byTolbert
Lanston of Ohio (one year after the invention of the Linotype machine),
which employed a keyboard-operated composing machine to cast type as individual
letters.
Movable type The
principle of the original method of typesetting, in which type was cast
as single letters and assembled by hand in a composing stick rather than
by a hot metal machine.
Mump A typesetting
term, meaning to move or copy fonts from one establishment to another
(usually unauthorized). The term originally referred to moving hot metal
matrices, and is still used today with reference to digitized fonts. Mump
probably derives from the old Dutch word mompen, meaning to cheat.
PE abb.: printer's error
A mark on a set of proofs indicating an error that has been caused by
the typesetter and not the author or editor.
Set A contraction
of typesetting, meaning to set type. Soft
copy In traditional typesetting, copy that is
used for checking text prior to final layout, camera-ready art, etc. Curiously
the same thing produced nowadays by a computer is referred to as the opposite,
i.e., a hard copy.
Specimen sheet
A large printed sheet showing the full character set of type fonts, sizes,
etc.
Stamping Traditionally,
a general term for composing type.
Take The portion
of a manuscript that a compositor sets at one time. Text
Information rendered as readable characters.
Text marker In word-processing applications,
a symbol or string of characters positioned in the text to provide a reference
marker so you can return there instantly (by using the Find command),
"XXX" is common, since no words contain three Xs unless
you design for the brewing industry Also called a wildcard.
Text retrieval terminal
In typesetter's parlance, a device, such as a disk or tape, used to transfer
data from one computer to another. Referred to colloquially as a milking
machine or fart box.
Type markup The
specification to a typesetter of every single detail that is required
to carry out a job satisfactorily Also called a type spec or type specification.
Typesetting The
process of converting a manuscript into text set in a specified font and
producing it in a form suitable for printing. A person whose job it is
to set type is known as a compositor or comp.
Typo A contraction of typographic error, an
error occurring during typesetting, such as the wrong font, as distinct
from a literal, such as a spelling mistake.
Typographer A person whose art, craft, or occupation
is typography. Typography The
art of type design and its arrangement on a page.
Absolute leading A
fixed amount of space between lines of text, generally measured in points.
Bad break In typesetting,
a place where a line of text breaks In an undesirable place, such as beginning
a page with the last word, or short line, of a paragraph. The term is
also applied to an incorrectly hyphenated word. Abbreviated bb.
Base alignment The
alignment of type characters of differing sizes or fonts along their baselines.
Base line The
imaginary line on a page grid that indicates the base of a block of text.
Baseline grid
Some page-layout applications have an underlying grid, usually invisible,
to which the baselines of text can be "locked" so they line
up across all columns of a page. Baseline
shift The attribute applied to a character that
moves it up or down from Its baseline.
Bearoff In conventional
metal typesetting, the adjustment of the spacing of the type to correct
the justification. Begin even
Instruction to the typesetter to set the first line of copy full out
that is, without indenting it.
Break-line The
last line of a paragraph. Bumped out A
line of characters to which extra space has been added to fill it out
so it aligns with a specific, longer line. As distinct from justified
alignment, which applies to all lines in a block of text. Bumped
out Widely leaded text matter.
Cap line A line
of text set entirely in capital letters. Caps
and smalls Text in which the first character
of each word is set in capitals, and the subsequent characters are set
in small capitals.
Centered Ragged
(unjustified) type that is centered in its measure, as distinct from ranged
(aligned) left or right.
Close up An instruction
to delete a space to bring characters closer together. Cockroach
A colloquial term for display text set entirely in lowercase type.
Color In typography
the name used to describe the generally light or bold appearance of a
particular typeface, regardless of its actual weight. Column
A vertical division in tabulated matter.
Decimal tab A
tab alignment option in some word-processing and page-layout applications
that allows you to align decimal values by their decimal points, one above
the other.
Density The general
amount and compactness of text set within a given area. Driving
out In conventional metal typesetting, arranging
the spaces in a line of type to fill the measure.
Drop cap(ital)
A large initial character at the beginning of a piece of text or paragraph
that is inset into the lines of type around it. Dropped-out
type Type that is reversed out of its background
to read, for example, as white on a color. Also called reversed-out or
knocked out type.
End a break In
traditional typesetting, the instruction to a compositor to fill out the
last line of a paragraph with quad spaces. End
even An instruction to end a paragraph or section
of copy with a full line of text. Even s.
caps, even smalls Text set as small capitals
without an initial full capital at the beginning of the word or sentence.
Fat matter A traditional
term for typeset copy that is easy to set because it includes a large
degree of spacing. Dense thus difficult copy is known as lean matter.
Fixed word spacing
A constant space between words when text is set ragged, as distinct from
the variable spacing that is necessary to set justified text.
Flush paragraphs
Paragraphs in which the first word is not indented, but aligns with the
left edge of the text. Full out
An instruction to set text to the full measure, without indents. Full
space In letterpress printing, a spacer between
two lines of type. Full word wrap
An instruction to avoid word breaks by taking the whole word at the end
of each line to the next line.
Get in (1)An
instruction to fit copy into less space than was initially estimated,
or to gain extra space for copy by setting it close. Get
in (2) In conventional typesetting, adding footnotes,
headings, etc., to a galley of type matter performed before actual page
makeup.
Half-measure Sometimes
used to describe a double column of text on a page.
Hanging cap(ital)
A large initial character of a piece of text that extends into the margin
to the left of the paragraph. Hanging indent
Typeset text in which the first line of each
paragraph is set to the full width of the column and the remaining lines
are indented to the right of the first line. Also called reverse indent
or hanging paragraph. Hanging punctuation
Punctuation marks that fall outside the column measure of a piece of text.
Hook in Traditional
term for setting words in brackets on the line below the main text when
there is not enough room in the specified measure.
Horizontal scaling A
feature of some applications to condense or expand type. Horizontal scaling
retains the exact attributes of the source font but distorts its appearance,
While the feature can sometimes be used advantageously, it can also produce
ugly typography, in which cases the specially designed condensed or expanded
versions of the font, If available, may look more esthetic.
Hyphenate To break
a word at the end of a line of text, usually between syllables, or to
create a compound form from two or more words using a hyphen. Hyphenless
justification A justification method in which
lines of text are aligned by means of word and letter spacing, without
breaking words with hyphens at the end of lines.
In pendentive A
style of typesetting in which successive lines are indented slightly further
at both ends, causing each line to be shorter than the last until only
one word occupies the last line, the whole piece forming a triangle. Also
called a half-diamond indentation.
Incremental leading
The value given to line spacing equaling the largest character on the
line plus or minus a user-defined value.
Indent(ed) A tine
of type set to a narrower measure than the column measure, usually the
distance of the start or end of the line from the left or right edges
of the column. Indention
A little-used alternative term for Indented setting a line or lines
of type to a narrower measure than the main body of text, i.e., at a greater
distance from the left-hand margin.
Initial cap(ital) The
first letter of a piece of text. It may be enlarged and set as a drop,
hanging, or raised cap, often at the beginning of a chapter. Interlock
To reduce the space between type characters so that they overlap.
Justification/justified
The distribution of space between words and letters in lines of text so
all lines in the column have uniform ("flush") left and right
edges. Text set like this may, in some applications, be called horizontal
justification, especially when that application offers an option for vertical
justification-, in which spaces are inserted between lines of text so
it fills the column from top to bottom.
Keep down/up An instruction to set all text
in lowercase (keep down) or uppercase (keep up) type, As distinct from
put up and put down changing characters already set. Keep
in/out An instruction to make word spaces narrow
(keep in) or wide (keep out).
Lacuna A traditional
term for a blank space in a piece of text, caused by damaged or missing
copy From the Latin lacus, meaning lake.
Leaded Type set
with space, or leads, between the lines. Leading
Space between tines of type.The term originates from the days of metal
typesetting when strips of lead (leads) were placed between lines of type
to increase the space, In digital applications, leading can be specified
as: absolute, where a specific value is given to spaces between lines
of text; auto, where a value is given to automatic line spacing by means
of a user-definable preference; or incremental, where a value is given
to line spacing that totals the largest character on the line plus or
minus a user defined value. Leads
In conventional metal typesetting, the thin strips of lead that were used
to separate lines of text, giving rise to the term leading.
Line increment The
smallest allowable increase in the basic measure between typeset lines
(leading). Line interval/line feed
The phototypesetting equivalent of leading, measured from baseline to
baseline in millimeters, inches, or points.
Loose line/setting
Lines of justified type that have been set with excessive word spacing,
causing "rivers" of white space to flow down the column of text.
Make even An instruction
to extend a line of type to the full measure by adding spaces. Mixed
composition The traditional description of a
paragraph of text matter set in a variety of fonts.
Neck line The
amount of white space or leading underneath a running head. Negative
leading/line spacing In text, vertical line
spacing that is less than the type size. Also called minus leading or
minus line spacing.
Open matter Type
that has been set with extra leading to give an "open" appearance.
Optical(ly) even spacing The
adjustment of the spaces between characters to create an even appearance
In a line of type.
Out Text that
has been unintentionally omitted from composition. Overmatter
Typeset matter that will not fit within the space designed for it (if
set by a typesetter, a charge is incurred for overmatter). Also called
overset or overflow. Overrun
Words that move from one line to the next, possibly for several successive
lines, as a result of newly inserted text or a correction,The opposite
of run back. Overset
Typeset characters that accidentally extend beyond the specified measure.
Pie (type) Traditionally,
composed type that has been inadvertently mixed up.
Proportional (letter) spacing Type
characters designed so letters and numbers occupy an appropriate amount
of space for their shape to accommodate the difference in width
between m and i, for example. Put down/up
An instruction to the typesetter to change characters
to lowercase (put down) or capitals (put up). As distinct from keep down
and keep up, which are instructions to set in lowercase or caps in the
first place.
Quad center In
traditional typesetting, a line that is centered. Quad
left In traditional typesetting, a line that
is ranged left. Quad right
In traditional typesetting, a line that is ranged right.
Raised cap(ital)
A capital letter that projects above the cap height of the first line
of type, but remains on the same baseline.Also called a cock-up initial
or raised initial. Raised initial A
boldface capital that projects above the line of type, Also called a raised
cap, stickup initial, or cock-up initial.
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